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銀蝶流れ者 牝猫博奕 (Gincho nagaremono mesuneko bakuchi)
Released: 1972
Director:
Kazuhiko Yamaguchi
Starring:
Meiko Kaji
Sonny Chiba
Shingo Yamashiro
Running time: 86 min.
Reviewed by Bob Turnbull
The second Wandering Ginza Butterfly film is less a sequel than it is simply another set of events that happen in the life of main character Nami (aka the Red Cherry Blossom). Likely it happens sometime after the conclusion to the first film, but it could just as well have taken place in an alternate universe since, other than her characteristics and her history of having learned all her card-playing, pool-cue-wielding and con-man ways from her father, Nami isn't tied at all to any of the people from the initial film. Fortunately, it retains the fun spirit and playful style of that first movie while also working its way towards a violent showdown with those who deserve their comeuppance.
The first time we see Nami, she literally wanders into the path of three thugs trying to recapture a young lady who has escaped their clutches. Though this scene sets the plot rolling, the film feels less story focused and more tailored to its individual scenes than the previous one. There's nothing wrong with that per se, but it doesn't quite build up as much tension towards any reveals or fights since it seems to just hop from scene to scene. The connections go something like the following...The young girl saved by Nami has a drunk for a father who sold her to those thugs in the first place because of the gambling debt he has to the local yakuza who run the local sex clubs. One of those clubs has a Madam who is an old friend of Nami's (from their street days) and who tries to convince her to join the gang to help out at the gambling tables where Nami has been spending her time hoping to come across the man responsible for her father's death years ago. While at one of gambling tables she befriends a stuttering pimp named Ryu (played by Sonny Chiba) who is trying to start up his own sex club as competition to the yakuza.
So none of that is to be taken as a criticism of the film itself - it stays true to the form and the style of its genre. Though not quite as flashy as, say, "Black Tight Killers" or even (another of Kaji's films) "Stray Cat Rock: Sex Hunter", director Yamaguchi uses the same techniques he successfully worked into the first film - low angles, freeze frames, appropriate music, zooms to faces, etc. - and continues to do so judiciously. Enough that it helps to ensure that the film flows into, yet again, a solid piece of entertainment.
Read more from Bob Turnbull at his blog.
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